XraysMonaLisa.XraysMonaLisa History

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November 11, 2013, at 09:22 AM by OtherMichael - ergo dust
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[[#version]] ''decentralized non-linear online semi-vacuous pseudo-hermetic problematically-titled incandescently-cascading version''
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[[#version]] ''decentralized non-linear online semi-vacuous pseudo-hermetic problematically-entitled incandescently-cascading dust-covered (re)version''
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[[WordSalad/UmbertoEco]]'s open (or loose) text or work, can be a seat on which we park ourselves. In the book 'Opera Aperta' - roughly translating as the open (or loose) text, Umberto Eco propounded the idea that open works 'appeal to the initiative of the performer. Rather than finite works which proscribe specific repetition among the given structural coordinates but as open works, which are brought to their conclusion by the performer...'
to:
[[WordSalad/UmbertoEco]]'s open (or loose) text or work, can be a seat on which we park ourselves [[Wikipedia:Ergodic_literature|ergodically.]] In the book 'Opera Aperta' - roughly translating as the open (or loose) text, Umberto Eco propounded the idea that open works 'appeal to the initiative of the performer. Rather than finite works which proscribe specific repetition among the given structural coordinates but as open works, which are brought to their conclusion by the performer...'
 
 
February 21, 2013, at 08:41 AM by OtherMichael -
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[[#subtitle]]being an [[LaGioconda#Xrays|xradiograph]] on the crystalline [[http://www.xradiograph.com/interference|InterferencePatterns]] obtained by a superimposition of [=DaVinci's=] [[VisualAddiction/LaGioconda]] and Malevich's [[VisualAddiction/TheBlackSquare]].
to:
[[#subtitle]]being an [[VisualAddiction.LaGioconda#Xrays|xradiograph]] on the crystalline [[http://www.xradiograph.com/interference|InterferencePatterns]] obtained by a superimposition of [=DaVinci's=] [[VisualAddiction/LaGioconda]] and Malevich's [[VisualAddiction/TheBlackSquare]].
 
 
October 23, 2012, at 10:33 PM by OtherMichael -
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[[#subtitle]]being an [[LaGioconda#Xrays|xradiograph]] on the crystalline [[http://www.xradiograph.com/interference|InterferencePatterns]] obtained by a superimposition of [=DaVinci's=] [[LaGioconda]] and Malevich's [[TheBlackSquare]].
to:
[[#subtitle]]being an [[LaGioconda#Xrays|xradiograph]] on the crystalline [[http://www.xradiograph.com/interference|InterferencePatterns]] obtained by a superimposition of [=DaVinci's=] [[VisualAddiction/LaGioconda]] and Malevich's [[VisualAddiction/TheBlackSquare]].
 
 
May 08, 2012, at 10:12 AM by OtherMichael - twitter link, and title mod
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[[#version]] ''decentralized non-linear online semi-vacuous version''
to:
[[#version]] ''decentralized non-linear online semi-vacuous pseudo-hermetic problematically-titled incandescently-cascading version''
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!! People who likes this sort of thing also like
[[https://twitter.com/#!/XraysMonaLisa|@XraysMonaLisa]] on the twitters
 
 
March 13, 2012, at 02:38 PM by OtherMichael -
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[[http://www.xradiograph.com/wrottings/Category/Reference|Reference]]
to:
[[!Reference]]
 
 
January 24, 2012, at 10:47 AM by OtherMichael -
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[[WordSalad/UmbertoEco]]'s open (or loose) text or work, can be a seat on which we park ourselves. In the book 'Opera Aperta' - roughly translating as the open (or loose) text, Umberto Eco propounded the idea that open works 'appeal to the initiative of the performer. Rather than finite works which proscribe specific repetition among the given structural coordinates but as open works, which are brought to their conclusion by the performer...' And so say all of us, here at Xradiograph.


You can start
[[anywhere]] or [[MappaMundi|every]] [[MundiMappa|where]].
to:
[[WordSalad/UmbertoEco]]'s open (or loose) text or work, can be a seat on which we park ourselves. In the book 'Opera Aperta' - roughly translating as the open (or loose) text, Umberto Eco propounded the idea that open works 'appeal to the initiative of the performer. Rather than finite works which proscribe specific repetition among the given structural coordinates but as open works, which are brought to their conclusion by the performer...'


You can start (or conclude)
[[anywhere]] or [[MappaMundi|every]] [[MundiMappa|where]].
 
 
January 24, 2012, at 10:46 AM by OtherMichael - removing party bets link
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The reader is free and the text is open. It is possible to approach this text from any angle that you prefer. Whichever angle the reader decides upon, they will encounter different tangles of meaning. Next time you find yourself at the Opera Aperta watching a loose work, and think you could have put a bet on the action at %rel=%[[http://www.partybets.com/|party bets]], think again. Then reconsider your position.
to:
The reader is free and the text is open. It is possible to approach this text from any angle that you prefer. Whichever angle the reader decides upon, they will encounter different tangles of meaning. Then reconsider your position.
 
 
August 06, 2010, at 03:36 PM by OtherMichael - Umberto Eco goes to a party and bets his life. He wins a duck!
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The reader is free and the text is open. It is possible to approach this text from any angle that you prefer. Whichever angle the reader decides upon, they will encounter different tangles of meaning. Next time you find yourself at the Opera Aperta watching a loose work, and think you could have put a bet on the action at %rel=%[[http://www.partybets.com/|party bets]], think again. Then reconsider your position.

[[WordSalad/UmbertoEco]]'s open (or loose) text or work, can be a seat on which we park ourselves. In the book 'Opera Aperta' - roughly translating as the open (or loose) text, Umberto Eco propounded the idea that open works 'appeal to the initiative of the performer. Rather than finite works which proscribe specific repetition among the given structural coordinates but as open works, which are brought to their conclusion by the performer...' And so say all of us, here at Xradiograph.

 
 
January 22, 2009, at 10:29 PM by OtherMichael - version change
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[[#version]] ''interconnected online non-linear decentralized webified far-too-late version''
to:
[[#version]] ''decentralized non-linear online semi-vacuous version''
 
 
January 22, 2009, at 09:41 PM by OtherMichael - notes
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[[#version]] ''interconnected online non-linear webified far-too-late version''
to:
[[#version]] ''interconnected online non-linear decentralized webified far-too-late version''
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The text is not linear. You can read left-to-right, top-to-bottom, ''if you'd like'', but you can also read in other directions. The text is more like a cloud, an acrostic, a mesostic, or a pointillist painting. Each ort stands on its own ''and'' is modified by the pieces surrounding it.
to:
The text is not linear. You can read left-to-right, top-to-bottom, ''if you'd like'', but you can also read in other directions. The text is more like a cloud, an acrostic, a mesostic, or a futurist pointillist painting. Each ort stands on its own ''and'' is modified by the pieces surrounding it as it modifies the pieces surrounding it.
 
 
June 12, 2008, at 08:51 AM by OtherMichael - references
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to:
Scholarly information on [[LaGioconda#Xrays|xradiographs of DaVinci's LaGioconda]]
[[http://www.xradiograph.com/wrottings/Category/Reference|Reference]]




 
 
December 18, 2007, at 11:45 AM by OtherMichael - more on how to read, notes that need to be expanded elsewhere.
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>>lrindent<<
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to:
>><<

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The text is not linear. You can read left-to-right, top-to-bottom, ''if you'd like'', but you can also read in other directions. The text is more like a cloud, an acrostic, a mesostic, or a pointillist painting. Each ort stands on its own ''and'' is modified by the pieces surrounding it.
 
 
December 11, 2007, at 11:56 AM by OtherMichael - re-org
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!! [[#directions]] Howe to Reed
You can start [[anywhere]] or [[MappaMundi|every]] [[MundiMappa|where]].


!! Digging in the Dirt
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!! [[#directions]] '''directions'''
You can start [[anywhere]] or [[MappaMundi|every]][[MundiMappa|where]].


to:


 
 
November 26, 2007, at 11:18 PM by OtherMichael -
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[[#subtitle]]being an xradiograph on the crystalline [[http://www.xradiograph.com/interference|InterferencePatterns]] obtained by a superimposition of [=DaVinci's=] [[LaGioconda]] and Malevich's [[TheBlackSquare]].
to:
[[#subtitle]]being an [[LaGioconda#Xrays|xradiograph]] on the crystalline [[http://www.xradiograph.com/interference|InterferencePatterns]] obtained by a superimposition of [=DaVinci's=] [[LaGioconda]] and Malevich's [[TheBlackSquare]].
 
 
August 15, 2007, at 09:34 AM by OtherMichael -
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You can start [[anywhere]] or [[MappaMundi|everywhere]].

to:
You can start [[anywhere]] or [[MappaMundi|every]][[MundiMappa|where]].

 
 
May 30, 2007, at 09:03 AM by OtherMichael -
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[[#subtitle]]being an xradiograph on the crystalline [[http://www.xradiograph.com/interference|InterferencePatterns]] obtained by a superimposition of [=DaVinci's=] LaGioconda and Malevich's TheBlackSquare.
to:
[[#subtitle]]being an xradiograph on the crystalline [[http://www.xradiograph.com/interference|InterferencePatterns]] obtained by a superimposition of [=DaVinci's=] [[LaGioconda]] and Malevich's [[TheBlackSquare]].
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ArchaeologicalNotes
to:
[[ArchaeologicalNotes]]
 
 
May 07, 2007, at 08:21 PM by OtherMichael - everywhere is descriptive
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(:description notes towards the realisation of an xray:)
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You can start [[anywhere]].

to:
You can start [[anywhere]] or [[MappaMundi|everywhere]].

 
 
April 11, 2007, at 04:30 PM by OtherMichael - history is being made
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!! [[#history]] '''history'''
XraysMonaLisa was a writing project I started in 1995, its roots date back to experiments around 1990/91, a desire to have an monolithic, abstract, incremental approach to writing, where I could splash text-particles like [[Jackson Pollock]], continuously revise a la [[Willem deKooning]], and work within a seamless-void (bounded only by the margins of the medium) as per [[Mark Rothko]]. My fascination with punctuation and other minor particles of language had a lot to do with all of this.

My website was to showcase one end-product of this work; those versions have yet to (re)materialize online.

to:
ArchaeologicalNotes
 
 
March 18, 2007, at 09:04 AM by OtherMichael - nav links, &sub-sub-title
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being an xradiograph on the crystalline [[http://www.xradiograph.com/interference|InterferencePatterns]] obtained by a superimposition of [=DaVinci's=] LaGioconda and Malevich's TheBlackSquare.

XraysMonaLisa was a writing project I started in 1995, its roots date back to experiments around 1990/91, a desire to have an monolithic, abstract, incremental approach to writing, where I could splash text-particles like JacksonPollock, continuously revise a la [[Willem deKooning]], and work within a seamless-void (bounded only by the margins of the medium) as per MarkRothko. My fascination with punctuation and other minor particles of language had a lot to do with all of this.

My website was
to showcase one end-product of this work; it has yet to re-materialize online.

to:
[[#subtitle]]being an xradiograph on the crystalline [[http://www.xradiograph.com/interference|InterferencePatterns]] obtained by a superimposition of [=DaVinci's=] LaGioconda and Malevich's TheBlackSquare.

[[#version]] ''interconnected online non-linear webified far-too-late version''

!! [[#history]] '''history'''
XraysMonaLisa was a writing project I started in 1995
, its roots date back to experiments around 1990/91, a desire to have an monolithic, abstract, incremental approach to writing, where I could splash text-particles like [[Jackson Pollock]], continuously revise a la [[Willem deKooning]], and work within a seamless-void (bounded only by the margins of the medium) as per [[Mark Rothko]]. My fascination with punctuation and other minor particles of language had a lot to do with all of this.

My website was to showcase one end
-product of this work; those versions have yet to (re)materialize online.

!! [[#directions]] '''directions'''
 
 
March 17, 2007, at 06:19 PM by OtherMichael -
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But everything has to start [[Nowhere|somewhere]].

to:
You can start [[anywhere]].

 
 
March 17, 2007, at 06:02 PM by OtherMichael - some history, references, and a starting point.
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being an xradiograph on the crystalline [[http://www.xradiograph.com/interference|InterferencePatterns]] obtained by a superimposition of [=DaVinci's=] LaGioconda and Malevich's TheBlackSquare.
to:
being an xradiograph on the crystalline [[http://www.xradiograph.com/interference|InterferencePatterns]] obtained by a superimposition of [=DaVinci's=] LaGioconda and Malevich's TheBlackSquare.

XraysMonaLisa was a writing project I started in 1995, its roots date back to experiments around 1990/91, a desire to have an monolithic, abstract, incremental approach to writing, where I could splash text-particles like JacksonPollock, continuously revise a la [[Willem deKooning]], and work within a seamless-void (bounded only by the margins of the medium) as per MarkRothko. My fascination with punctuation and other minor particles of language had a lot to do with all of this.

My website was to showcase one end-product of this work; it has yet to re-materialize online.


But everything has to start [[Nowhere|somewhere]].

 
 
March 06, 2007, at 01:57 PM by SomeOtherPerson -
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being an xradiograph on the crystalline [[http://www.xradiograph.com/interference|InterferencePatterns]] obtained by a superimposition of [=DaVinci's=] LaGioconda and Malevich's TheBlackSquare.

MoreData
to:
being an xradiograph on the crystalline [[http://www.xradiograph.com/interference|InterferencePatterns]] obtained by a superimposition of [=DaVinci's=] LaGioconda and Malevich's TheBlackSquare.
 
 
March 06, 2007, at 11:52 AM by SomePerson - change
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being an xradiograph on the crystalline [[http://www.xradiograph.com/interference|InterferencePatterns]] obtained by a superimposition of [=DaVinci's=] LaGioconda and Malevich's TheBlackSquare.
to:
being an xradiograph on the crystalline [[http://www.xradiograph.com/interference|InterferencePatterns]] obtained by a superimposition of [=DaVinci's=] LaGioconda and Malevich's TheBlackSquare.

MoreData
 
 
March 03, 2007, at 10:45 AM by OtherMichael -
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being an xradiograph on the crystalline [[http://www.xradiograph.com/interference|InterferencePatterns]] obtained by a superimposition of [=DaVinci's=] LaGioconda and Malevich's TheBlackSquare.